Thursday, 15 April 2010

Kate Tulip - Placement Enquiry at Tigerprint (Currently waiting for reply)

After Mick Greers talk today, I decided to take his advice immediately and contact TIGERPRINT as they were offering a two week placement, so I thought I'd pop this in my blog anyway.


Hey Kate

I am studying Graphic Design at Stockport College in Cheshire, graduating in July! I have 2 weeks left until the deadline for all modules, but whilst working away trying to get everything done I decided to have a break and look at some agencies' websites.

I stumbled across your website just by chance and have been looking at it for quite some time, and noticed you organize placements for creatives wanting to know more about the industry. 

Just to give you a very brief explanation of what I'll be doing over the next few months:
My deadline is the 7th May, and then after that the next month is combined of getting things ready for the graduates exhibition.
I have an interview for a year long placement in June that I think, if I get it, will start on the September, so I was just enquiring as to whether I would be able to apply for the 2 week placement at Tigerprint? or come and show you my portfolio? 

Kindest Regards

Katherine Speak

BA Hons Graphic Design Level 3
Stockport College

Anna Turner from Saltmine Creative Company based in Dudley. Interview!

Hey Anna

just wondering how the plans for the Graphic Design Year out programme are going?

I finish in approximately 6 weeks and starting to see what placements are out there so thought I'd just enquire again.

I have recently just finished a project designing a window for Ted Baker as part of a YCN competition brief, and I am very pleased with it so have attached the file incase you would like to take a look. Me and my work partner Sophie were asked to design a window to show Ted Bakers Autumn collections, and they didn't want to see any designs with leaves like you see in alot of windows around Autumn. They wanted to see quirkiness with a British feel to it. Therefore we did 'Blown Away by Ted Baker' with the mannequin looking like it is being blown away in the window, with an animation in the background showing objects being blown across the screen including a tea party and a cow. The customer would be blown by fans as they entered the shop to involve them in the sequence.

Hope to hear from you soon.

Katherine Speak






Hey Katherine

Thank-you for sending those documents through. I'm sorry for the delay in replying and the amount of time you've been waiting!

I do have some good news though. I have been speaking with our Creative Arts Director and we would like to invite you for Interview on the 10th June.

Let me know if this date is OK and I will then send you some more information, on the time of your interview and what you need to bring!

Thanks

Anna
Year Out Co-ordinator
Saltmine Trust





Hey Anna

Thats great news! Yes more than happy to receive the extra information on the interview!

Thankyou

Katherine

clever advertising

Just a few ambient pieces that caught my attention!




Mick Greer

Today, Mick Greer came in to to talk to us about graduating, getting jobs and how to go about it. Mick studied Graphics at Blackburn University, although after graduating got into Advertising and from then on became an award winning Copywriter.

Involved in copywriting is looking at the text that goes alongside the image or art in a piece of work, and making sure its placed and is used correctly. This means that Mick also works alongside Art Directors and Designers. 

He raised the issue that when students graduate, there are too many graduates and not enough jobs. So that is why it is important to do something different that creates an impression. He kept revisiting the point of how important it is to be tenacious and passionate, and to build relationships up with many designers is a must.

When getting the placement, you have to make yourself invaluable, and to 'work on the shit that noone else wants to do.' 

There is a myth that students think designers should see the finished article, when they go to visit them. When the truth is, designers want to see intelligence and ideas that they can nurture. So rather then producing the finished article, the piece of work can get to a stage where it can be understood then move on to the next project. 

I found the lecture very honest and compelling. It seemed that Mick didn't tip toe around our feelings and gave advice without bullshit. With this in mind, I decided to show Mick my work for my Major Project.

My Major Project is to persuade the general public to be an organ donor if they are not already. I planned to do this through a poster campaign, however, my path led me to creating sale posters reading 'Huge Savings' and 'Massive Reductions', with a catchy strapline for instance 'whilst stocks last' to bring the idea together. This idea had mixed reactions, with many of my fellow peers liking the idea, whereas the response from designers in the industry was different and this made me not to sure about the idea. Therefore, alongside this concept I produced another set of posters - A ticket dispenser and a bingo ticket with the strapline '3 people a day die because there number didn't come up.

Mick looked at both ideas and gave me his honest opinion, which was that the Huge Savings idea wasn't working. The critical advice didn't dishearten me, I realized I had 2 weeks to put together a new idea, but my work is going to be viewed by designers in the industry and so I want to do the best I can to succeed and impress with a really good idea. 

My works cut out but I believe it can be done. 

Print Finishes

I am coming to the last few weeks of my project, and have completely changed the direction I am going with my work. 

These are the very first mock ups of the idea that I am going to do. 




The idea is focusing on how people who are waiting for an organ donor have to wait, and they might not even get an organ.

As I have only 2 weeks to produce the finished piece, I am starting research into different ways to print so I am ready to sort it when the time comes.
In Computer Arts Magazine July 2009 (pages 48 - 51) it shows 15 treatments you can use on your work to give it a great finish. 
The different treatments are:
Die Cut - Simply the process of cutting and shaping.
Varnish - Applied to work to protect scuffing and enhance visual effect.
Spot UV - Ultraviolet varnishing that really lifts colours out.
Emboss - Creation of a 3- dimensional design.
Deboss - 3 - dimensional images by depressing the print.
Silk - screening - Brings a unique aesthetic to print work.
Foil Blocking - Involves a coloured foil being pressed onto the print.
French Folding - A combination of horizontal and vertical folds.
Flock - Expensive. Printing in adhesive rather than ink.
Overprinting - Printing colours over each other so they interfere.
Holographic foil - To emphasise other colours around it.
Mirror foil - Applied as a hot foil.

The one that appeals to me is the varnish finish, where it will enhance my poster prints when they are completed.

www.Toxel.com

The website Toxel.com is a site I was introduced to by a fellow peer at University. As soon as I accessed the site I knew I was going to be on it for a while. The first image I saw was 'Costume made out of mirrors' that I instantly thought was unique and probably amazing to see in reality.


As I scrolled down and noticed 'Popular Posts' where there would be more of this stuff, I knew I wanted to see if they had examples of unique billboards. 

Fortunately they did, and so I spent a good while looking at all the billboards they had to show. Here are some of my favourites:

The Economist Billboard

Nike Billboard. 

I think this is clever however I would probably run right into it!


The Slingshot Billboard

IKEA Billboard

Miele Vacuum Cleaner Billboard

Formula Toothcare Billboard


I really recommend this site for anyone creative to have a look at.

Wednesday, 14 April 2010

Typography Research

I have always been curious about typography. How it works, what it works with best, which typface to go with a certain medium, the list goes on and on.

Over the past year I have used 'Rosewood' with shop windows, 'Helvetica Neue' on posters, and 'Goudy Sans' with punctuation. I still think I need to study more with type. Here are my favourite examples of great use of typography.


www.graphicdesignblog.org
www.alexbinetti.files.wordpress.com
www.graphicdesignblog.org

www.ilustrasiaurora.co.cc

www.blog.blastyle.com

www.gentlepurespace.com

www.images.trendhunter.com

Friday, 2 April 2010

Practitioner Report - Mike Rigby and Craig Oldham

When deciding which two practitioners to compare and contrast, I decided to think of the two designers I had met that most stood out for me, and that I took the most away from.
Mike Rigby is a Graphic designer who came in to speak to all students and to give us a few words of wisdom about his life and what we should come to expect when we leave University.
Designer Craig Oldham from Manchester based studio ‘Music’ who had not long been out of University said me and a fellow student could come and visit him as part of our research for our Journal, but as well as answering our questions he gave us advice on how to be successful once a graduate.
I’ll begin by stating the main opinion that both designers share. Mike Rigby says “Graphic Design is a job, a designer is a lifestyle choice” and Craig Oldham said something similar “Being a designer isn’t it’s a lifestyle”. This should set the scene in the students mind that if this is what they definitely want to do once they are a graduate then this is the outlook that they should have on their career choice, if they have not already. They both also share a very honest approach to the graphic design world, by speaking out to students informing about the dos and don’ts and what qualities you need to show, including motivation and determination.
Mike Rigby’s lecture was more about his experiences after graduating, for instance where he went and what he did. He explained that ‘Doors opened when taking a break and going abroad.” Whereas Craig speaks about tactics to use when in the experience, to make it go the most successfully.
To go abroad and study sounded like the most appealing advice that I took out of a lecture, however, this is something that I might consider doing after getting experience. Craig gave more tips on how to get the placement in the first place. He said to "always accept criticism and never praise.” When interviewing Craig Oldham, I asked him what his favourite piece of work was. He answered saying that there wasn’t one, and he was never satisfied because after it is printed and sent back to the client, there is always something he spots that might had made it better, for example “What if I had done this in blue?” I think I have to disagree with this just by being a student and nearly graduate. My point is if I went into a placement and everything I did I thought ‘this is not good enough’ it might give off the wrong impression to my employer that I have no self belief. However, Craig is a top designer from a top company and so having this outlook might produce the best work. So when I next speak to Craig a question I will ask is what he thought about his work as a graduate. Another issue Craig touched upon was how important it is to make contacts and build bridges as soon as you can. I have tried to do this and glad that I have received much advice from designers, and that they have said to me to get in touch if I need more help or advice.
I have learnt a lot from portfolio visits, and also my confidence has grown as it can sometimes be a very hard thing to do. Craig says, “Portfolios will be most subjective thing you will ever design”. This fact tends to be true, in the way that on most visits there will be certain elements that designers will pick out. Even though this can sometimes appear tough to hear, it is essential if a graduate is to enter the real world. Clients will be critically analyzing work produced all the time, so it is important to be ready for it.
Mike Rigby said a popular part of his portfolio was the packaging he designed for Underlay. He said that it was tough at first, but then quoted Ray Gregory by looking at the brief and thinking “What is it I have been asked to do.” Eventually he thought that, to sell something invisible, make it desirable. He showed the carpet off by making it visible through shapes; with an accompanying line to bring the idea together as a whole.
Underlay Packaging By Mike Rigby

My favourite piece of Craig Oldhams/Musics work is the ‘No Way Through’ poster for Ctrl Alt Shift. Craig said he sees just two elements that combine together to create Graphic Design. These are ‘Logical’ Design and ‘Emotional’ Design. In Craig’s lecture I remember him describing himself as more emotional, this piece of work though at first appearances looks to be a more logical answer to the brief, it turns to more emotional thinking when the viewer follows the maze round with a pen. It would then spell ‘No Way Through’.

www.designbymusic.com  

Placements are such an important part of the process to access the Graphic Design world it is mentioned almost in every lecture I have been to. Mike Rigby says, “Placements ‘speed you up’”. You get involved with real projects, networking and free nights out. Going out with fellow co-workers and being sociable is key to getting to know other designers. He also believes that it is important to have a life outside of design too. “The more interesting life is outside of design, the better at design you will be.” This outlook is also shared by Craig Oldham, “Let external forces inspire your design work.” I believe this is so important, as many of the best ideas come to me when I am usually doing something else, whether that is walking or socializing with friends, the idea will sometimes just pop into my head. They also both encourage students to develop self-initiated projects, where these external forces will encourage more creative ability. I think this will be my first port of call when I become a graduate, and have more time, I plan on constructing my own self-initiated briefs. At the moment it is quite difficult juggling quite a few projects at a time that are going to be graded eventually.
The advice from these two designers has been very valuable, I have spoken to Craig Oldham on quite a few occasions and found his advice something to be kept in mind. I only heard Mike Rigby speak once in hids lecture however to know more about his experiences in graphic design and abroad would be enlightening and so I hope to be able to hear more of his stories in the future.

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